Tash presented two episodes in one episode on the first day of Ramadan. The first half of the episode was creative and employed the return of the series in an attractive way to the viewer through the story of the coma caused by the lightning storm during the road trip, and the comedy was the situations of the social and technical differences that they found before and after the coma. Wonderful, and it could have continued throughout the episode and built on endless comic situations, but the sharp turn that the episode took by entering into the labyrinth of the son's fraud case dispersed the episode and weakened it a lot!
As for the “win” scene, it was one of the worst ideas, because bribery is not a phenomenon in Saudi society, just as the situation did not need a “win”, as the two men obtaining a national identity and proving that they are alive is a guaranteed right and does not require miracles!
The repetition of the templates of Tash episodes is not surprising, as the series lasted for years before its cessation and it revolved around the same templates and characters, and this is not a defect unless the ideas are repeated. In some television works, the relationship with the viewer becomes more like getting used to following the diaries of action figures, and therefore you will find viewers who do not mind In that the templates and characters are repeated out of coexistence and familiarity with the TV series and its characters!
In general, Tash's return represented to me and generations. I lived through the series before it stopped, a return to the memories of the time when the work was famous, and I will not demand much or anything new from it. It is enough for him to extract from the depths of my memories the feelings of nostalgia for days and years gone by!
Khaled Suleiman
