7 years ago, the star of the musician, Sami Ihsan, did not fade away from the heavens of the original rapture, and he bequeathed to him a torrent of songs that were immortalized in the memory, and melodies that identified with the chants of the performers and influenced the listeners. Ihsan, who hoarded the virtue of discovering the stars, and throughout his life he boasted of being a scout, to whom the Saudi song owes the presentation of dozens of talents, some of whom became famous and soared in the sky of stardom at a great height, and some of them were late from the squadron of soarers despite his talent and capabilities that did not help him.
The talk comes about the stature of the musician Sami Ihsan, being unique from other musicians, that he is the only one who established the concept of multiple adoption of promising talents and investment in them, in addition to that he bets on talents on the technical level, he was considering investing in their stardom and refining their talent, a priority to support his continuity and continue His giving and appreciating the value of his giving and giving, so that he would not ignore this aspect, whatever talent he dealt with, which would put him under the penalty of disagreement with some and spark disagreement with others. Ihsan Fadl is allowed to discover prominent names, the most famous of which is Abdul Majeed Abdullah, who contributed to the consolidation of his presence artistically, encouraged him and stood with him since 1979, and recorded several songs for him, including “Sayyid Ahli”, which made his stardom and achieved his spread. He also contributed to the appearance of the artist Ali Abdul Karim, who composed for him at the beginning of his career, as well as the stars Muhammad Omar, Abdullah Rashad, Abbas Ibrahim, ending with Ibrahim Al-Hakami and others. Ihsan would have become richer in the world of music in a way that exceeds the one he left, and kept pace with the enormous capabilities that he did not invest – in my opinion – properly when he chose to devote himself entirely to supporting talents and adopting stars, and every time I met him he complained about the denial of many of them once they learned to fly and were good at flying. . Ihsan's genius was manifested in immortal works of art that he presented to the sons of his generation and the companions of his journey, such as "You Are My Love", "Feast of Joy", "With Appreciation" with Muhammad Abdo, "Passed" and "Let's Divide the Complaint" with Talal Maddah, and "The Night Abu Secrets” with Abdullah Rashad, and “Sayyid Ahli” with Abdul Majeed Abdullah and another with Abadi Al-Johar and others.
Sami, who, in addition to his proficiency in the oud, was a unique “violinist”, and was a pillar in the Saudi artistic bands and an active member on the television stage, one of the founders of the Culture and Arts Association, and until his death he was concerned about the Saudization of Saudi music in its concerts and orchestras to satisfy it with support, as he used to say.
Khaled Al-Jarallah (Jeddah) @Okaz_online