When the poet begins to construct the poem, he proceeds through two types of motives. The first: subjective, emotional, and the second: external, objective. Where they clash within a defining moment, which leads to the birth of a poetic text; He collects the fragments of the scattered pieces of feelings, and to collect the scattered parts of the topic.
There is no actual division between the subject and the feeling, as the two are complementary; To produce and compose the “form” and “content” of the poem, which is not correct without their presence, so any breach of one of them; It means a violation of its “material” and “objective” units, i.e. its entity based on the duality of mixing between them.
mixing between materialism and objectivity; He produces a complete poem that fulfills the terms and conditions and is acceptable to the audience seeking to satisfy his motives and feelings. you will be highly influential; Because it includes what achieves the satisfaction of the recipient's feeling, as it talks about general and human suffering that anyone goes through and is exposed to.
The method of mixing the duality of form and content, or materialism and objectivity, leads to the discovery of the “mood” of the poem, and its selectivity, which not only writes the truth, but also writes its own history; That is, the history of its existence, its emergence, and its birth, as it excludes all life details, except for those related to its theses and what it calls for.
Writing tends in this sense; From generality and openness to privacy and the intensity of the relationship with the particular, as it appears within the text in an invisible way; He makes words and images exude feelings and sensations, which is what the poems have always emphasized, since they are not written from a vacuum, but through extended interaction; Its author relates the events surrounding him, as well as his emotional and psychological state.
The emotional state and being affected by the surrounding events; They form the “mood” of the poem, and determine how it approaches the subject, so that the real and the imaginary become equal to the other, there is no difference between them, but the imagination may be preferred and resorted to; For its ability to grant wider spaces of movement in expression and transition between feelings and connotations.
The poet is a rebellious “soul” that fears restrictions, and that is why it is fond of freedom and leaping from the prisons of life, by relying on the imagination, as only he is able to transfer it from its real state to an imagined state, through which it is no longer imprisoned within the cells of form and meaning, as it takes off and soars within open spaces ; It allows her to cross and move between forms and connotations, to choose what suits her emotional and psychological state, and is compatible with her written purpose.
Any limitation of the form of writing, or limitation of the writer's feelings; It will lead to the poem’s “language” and lack of flow, and thus it will depart from its usual framework, and here it will lose its mood, and its complete surrender to the feeling of its owner, and harmony with him in the form he chose, and the expressive images he accepted. Because he feels that it is separate from his other writings, and that it does not reach its artistic level!
When the poem loses its mood, it is subject to external constraints and internal pressures, which obscure its expressive ability and imaginative choices. It will give up many of its aesthetics, and become a soulless skeleton, a rigid body that does not pulsate with life and feelings. What will lose its impact, attractiveness, and vitality; The result is its downfall and lack of technical recognition.
The varying levels of poems seem natural to the beholder from the outside, but from the inside they go through complex stages and steps, led by multiple constraints and pressures. I was able to catch his poem and influence it, which explains the difference of “her breath” from the breath of the rest of his poems.
The poem is a soul that loves flying and roaming freely, if the poet launched it. She flew, and sang the most beautiful melodies, so she touched the most accurate meanings, and formed the most wonderful images, but if he tied her up, or put her behind bars; she died slowly, heartbreakingly; Where her voice will disappear, and she will lose her ability to invent meanings and suggest images, and thus her ability to survive and continue.
Muhammad Al-Hamidi
